ABRAHAM ABILDGAARD 1743-1809 Copenhagen, Denmark.mp4

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Nicolai Abraham Abildgaard (11 September 1743 – 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg.
Nicolai Abraham Abildgaard was born in Copenhagen, Denmark, as the son of Anne Margrethe (née Bastholm) and Søren Abildgaard, a noted antiquarian draughtsman.
Abildgaard was trained by a painting master before he joined the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) in Copenhagen, where he studied under the guidance of Johan Edvard Mandelberg and Johannes Wiedewelt. He won a series of medallions at the Academy for his brilliance from 1764 to 1767.] The Large Gold Medallion from the Academy won in 1767 included a travel stipend, which he waited five years to receive. He assisted Professor Johan Mandelberg of the Academy as an apprentice around 1769 and for painting decorations for the royal palace at Fredensborg. These paintings are classical, influenced by French classical artists such as Claude Lorrain and Nicolas Poussin. Mandelberg had studied in Paris under François Boucher.
Assessment[
Though Nicolai Abildgaard won immense fame in his own generation and helped lead the way to the period of art known as the Golden Age of Danish Painting, his works are scarcely known outside of Denmark. His style was classical, though with a romantic trend. According to the Encyclopædia Britannica Eleventh Edition, „he was a cold theorist, inspired not by nature but by art. He had a keen sense of color. As a technical painter, he attained remarkable success, his tone being very harmonious and even, but the effect to a foreigner’s eye is rarely interesting.“] A portrait of him painted by Jens Juel was made into a medallion by his friend Johan Tobias Sergel. August Vilhelm Saabye sculpted a statue of him in 1868, based on contemporary portraits.